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Stylized 'power spell' in Chinese brushwork, inscribed on paper with peachwood stylus. The wording is Arabic: 'O Tribe of Hashiml' —Author's collection kasa belief in a widespread lere to be used, and neither >rce. The second form, which plies the necessity of making it there is some link between e use of some sort of power, ler rituals must work up the is is not achieved, there will tnment to be recorded in the al activity, covering a study ty of talismans (67) and other

Top, left: The inexplicable foam below Paphos cliffs (Cyprus) "from which Venus rose" (Ch. 4) Centre, left: Grave-shrine of Baba Wali Saheb in Kandahar. Said to have the power of rendering weapons invincible (Ch. 7) bottom, left: Kurdish ritual sword-dance, terminating in "extacy and revelations". A remnant of the pre-Islamic Peacock cult (Ch. 11) Top right: The earliest form of Venus, (Aphrodite). Around this grey monolith, brought as their goddess by the Phoe-necians from South Arabia, was built the Sanctuary of Paphos: greatest pilgrimage centre of the ancient Mediterranean (Ch. 4) Centre, right: View of the mystical Shrine of Venus-Astarte (Aphrodite) at Paphos, on a coin of Bylbus (Ch. 4) Bottom, right: Red-lacquered Chinese spirit-writing instrument, resembling a divining-rod. The head represents a dragon (Ch. 17)

Top left: Aqil Khan, the alchemist who instructed the author (Ch. 14) Centre: Indian Sadhu, demonstrating the use of an "invocatory shell" (Ch. 13) Bottom, left: Himalayan magician, with magical staff. His clothes are purposely tattered, to indicate humility (Ch. 9)

Top, right: Afghan Fakir, credited with immense psychic powers, and specializing in the hypnosis of animals (Ch. 7) bottom, right: Persian wizard, in the patched robe of a Sufi Order. The wand, dagger and sling are part of his magical accessories (Ch. 11)

ght: Afghan Fakir, credited with nse psychic powers, and specializing : hypnosis of animals (Ch. 7) right: Persian wizard, in the patched of a Sufi Order. The wand, dagger ding are part of his magical acces-5 (Ch. 11)

the arabian contribution

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Fundamentals of Magick

Fundamentals of Magick

Magick is the art and practice of moving natural energies to effect needed or wanted change. Magick is natural, there is absolutely nothing supernatural about it. What is taught here are various techniques of magick for beginners. Magick is natural and simple and the techniques to develop abilities should be simple and natural as well. What is taught on this site is not only the basics of magick, but the basics of many things.

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